That Floating Poo Was Far Too Meaningful! It's the Television Disappointments of the Past Year.

Looking back, we reflect on the television offerings of the past year, a selection of shows emerge not for their brilliance, but for their notable shortcomings. From cringe-inducing sequels to confusingly poor documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with dreadful scripts, painful character development (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. Briefly, as the final season started, it seemed as if it had at last hit its stride. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last series. It ended on a low point; the closeup of Miranda’s loo full of poo was just way too symbolic. Yet, viewers undeniably had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who couldn't let out a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this drama's issues. The subject of a very rare no-star review, it was difficult to know where to begin enumerating the flaws. The laughably leaden writing? The tedious glorification of wealth and consumption? The almost deliberate procession of cliches? Acting so bad they felt borderline malicious? Suffice it to say “each and every one” and forget about this show again. However, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this series might evoke should be saved for the people who have had to endure close contact with this charming but dismissive narcissist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling dialects. But there were many other problems. Mainly that it was just profoundly boring; a dispute over narcotics territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain performatively angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s televised forays into twee homemaking as intentional statements. But then you view them and are forced to admit that actually, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about regarding Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this documentary series chose not to explore them. Instead, the viewing was akin to reading a sales brochure. She obviously has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this guarded letdown of a series.

The Inheritance

It had the potential to be the next big hit – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

Too Much

How do you follow a show that defined a generation? The expectation was immense for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the smart recruitment of gifted emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a familiar ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right tone, lumbering from strangely breezy, somewhat stylised farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for sexual escapades as she undertook her biggest challenge yet. What on earth would possess her? What we craved was far greater interrogation of her true psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son out of the queue. What we got was disturbing shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Ruth Rogers
Ruth Rogers

A London-based journalist and cultural commentator with over a decade of experience covering UK trends and innovations.